IMG_20160423_211412IMG_20160423_211548 IMG_20160423_211438 IMG_20160423_211454IMG_20160423_211506

La bellezza ovunque

IMG_20160422_130902 IMG_20160422_193345 IMG_20160422_130957 IMG_20160422_131110 IMG_20160422_193432

Piccolo paradiso

IMG_20160420_114131 IMG_20160420_113934 2016-04-20 09.12.55 IMG_20160420_114159 2016-04-15 15.02.30 IMG_20160420_113250

Una giornata a Roma


La basilica di S.Pietro in Vincoli

IMG_20160419_083040 IMG_20160419_083026 IMG_20160419_082956 IMG_20160419_082939 IMG_20160419_083246 IMG_20160419_083235


IMG_20160419_074540 IMG_20160419_074926 IMG_20160419_074906 IMG_20160419_074651

Работа с гипсом

Совсем недавно портрет был ещё фотографией. Глина дала третье измерение и лицо из плоского стало объёмным. Можно было бы остановиться на этом и запечь бюст, но интересно продолжить в новом материале — гипсе. Со знанием дела, процесс исполнения негатива несложный, достаточно правильно подготовиться. Для этого мне понадобилась крепкая проволока, пару мешков гипса, несколько вёдер воды и внимательно слушать советы преподавателя. Далее, внутрь изготовленой формы заливается гипс, а потом самое интересное — аккуратно отстучать деревянным молотком и зубилом всё лишнее и добраться до скульптуры с наименьшими потерями. На следующем этапе — реставрация.

image-386f58c50dddcd87aab3ae3f17669c4a9b2c21f109817a3cd772542a2c56cdb2-V image-6512405ca4c6203d305f8a4c555cb1908deb5f4676c2780bff84aa8590faee18-V





image-09e3c55b433966923f8d781c412b3260957fd23f246e6c3797e2acb6bbdb3d30-V image-2bfe87a390404a6146ba7e797ae985b7a83e147fef0163b11f79d03307f122e7-V





«Venere» olio su tela, 120*80 cm





Trittico «Equilibrio» olio su tela, 80*180cm






IMG_20160406_184220IMG_20160406_184159 IMG_20160406_184141

Olafur Eliasson

Olafur Eliasson’s art is driven by his interests in perception, movement, embodied experience, and feelings of self. Eliasson strives to make the concerns of art relevant to society at large. Art, for him, is a crucial means for turning thinking into doing in the world. Eliasson’s diverse works – in sculpture, painting, photography, film, and installations – have been exhibited widely throughout the world. Not limited to the confines of the museum and gallery, his practice engages the broader public sphere through architectural projects and interventions in civic space.

Eliasson was born in 1967. He grew up in Iceland and Denmark and studied, from 1989 to 1995, at the Royal Danish Academy of Fine Arts. In 1995, he moved to Berlin and founded Studio Olafur Eliasson, which today encompasses some ninety craftsmen, specialised technicians, architects, archivists, administrators, programmers, art historians, and cooks.

Since the mid-1990s, Eliasson has realised numerous major exhibitions and projects around the world. In 2003, Eliasson represented Denmark at the 50th Venice Biennale, with The blind pavilion, and, later that year, he installed The weather project in Tate Modern’s Turbine Hall, London. Take your time: Olafur Eliasson, a survey exhibition organised by SFMOMA in 2007, travelled until 2010 to various venues, including the Museum of Modern Art, New York. Innen Stadt Aussen (Inner City Out), at Martin-Gropius-Bau in 2010, involved interventions across Berlin as well as in the museum. Similarly, in 2011, Seu corpo da obra(Your body of work) engaged with three institutions around São Paulo – SESC Pompeia, SESC Belenzinho, and Pinacoteca do Estado de São Paulo – and spread out into the city itself. In 2014, for Riverbed, Eliasson built a landscape within the Louisiana Museum of Modern Art in Humlebæk, Denmark. Also in 2014, Eliasson’s exhibition Contact was the inaugural solo exhibition at the Fondation Louis Vuitton in Paris.Verklighetsmaskiner (Reality machines), at the Moderna Museet in Stockholm in 2015, became the museum’s most visited show by a living artist.

IMG_20160401_100654 IMG_20160401_101100 IMG_20160401_101126 IMG_20160401_101153